Philippe Hiquily (1925-2013)

Lot 142
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Estimation :
30000 - 40000 EUR
Result with fees
Result : 51 350EUR
Philippe Hiquily (1925-2013)
ZYRIBALA, 1973 Brass and iron trap H. 58,8 cm Exhibition : Philippe Hiquily, Pièges à louves, Paris, Galerie Bideau, June 8-July 9, 1976 Bibliography : Alexandra Marini, Tara Hiquily, Jean-François Roudillon, Philippe Hiquily: catalog raisonné, 1948-2011, Loft éditions, 2012, vol. 1, p. 243 In the 1970s, Philippe Hiquily, in perpetual questioning about the representation of the human body, confronts his brass figures with everyday objects. In an approach that is by turns surprising, comic or erotic, his creatures are associated with manufactured objects. In the series Piège à louves that he exhibited in 1976 at the Galerie Bideau, the sculptor shows himself to be provocative and disturbing by placing his female figures in wolf traps. Hiquily, not without a certain humor, expresses here a form of ironic lucidity as for the permanence of the violent domination of the men on the body of the woman. Born in Argentina, Alicia Penalba grew up in the great spaces and in wandering, between Chile, Patagonia and the Andes Cordillera, according to the mutations of her father, a railroad builder. All of her art undoubtedly comes from there, from the sculptural beauty of wild nature, rocks, trees, caves or mountains that she interprets with her very personal way of organizing space. At the turn of the 1940s, after her first modest steps as an artist at the Salon Nacional de Bueno-Aires, she obtained a grant from the French government and moved to Paris, where she attended the Beaux-Arts engraving classes. She became friends with Matisse, but it was in the studios of Honorio Condoy and then Ossip Zadkine that she finally found her way. She exhibited in 1957 at the Galerie du Dragon and then in 1960 at Claude Bernard. Her career is launched, she obtains in 1961 the international price of sculpture to the biennial of Sao-Paulo. She exhibited throughout the world, New York, Rio, Rome or Milan, an inventive sculpture, sometimes aerial, sometimes organic, made of hollows, niches or towers that create a dialogue between light and shadow. She organizes the space and creates a work often in connection with architecture or landscape. Curious and passionate, she also turns to the decorative arts and tries her hand at ceramics, creates jewelry or tapestries. Her creations integrate the collections of the most prestigious museums, and her work is greeted in 1977 by a great retrospective at the Museum of Modern Art in Paris.
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