Enamel inkwell painted in grisaille with gold highlights, po - Lot 75

Lot n° 75
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2000 - 3000 EUR
Enamel inkwell painted in grisaille with gold highlights, po - Lot 75
Enamel inkwell painted in grisaille with gold highlights, polychrome-painted lid interior, silver-plated metal frame. The inside of the cup features Minerva enthroned on trophies, framed by groups of captives and Victory, compositions borrowed from engravings by Etienne Delaune after Pellerin (circa 1558-1560, fig.a and b); the reverse of the cup is midnight blue with the inscription Laudin Emaillieur / Limoges / -I-L. Inkwell in the form of an urn flanked by three leaning sphinxes, the cover borrowed from a cup base with, on top, Narcissus (Ovid, Metamorphoses, III, 3, 406) after the engraving by Antonio Tempesta (1606, fig.c), monogrammed -I-L- and, on the reverse, landscape with thatched cottage surrounded by trees. Cut: Limoges, Jacques I Laudin (circa 1627-1695), second half of 17th century Mounting: 19th century with re-used bowl base, Limoges, Jacques I or II Laudin, second half of 17th century H. 9.5 - Diameter 20.5 cm (some edge restoration) Provenance : - Former private collection, Germany Exhibition : - Limoges 2022, Impertinente. La rencontre Émail & Métal, Galerie des Hospices, rep. p. 107 A number of painted enamel inkwells and writing boxes from Limoges are held in public collections. Their themes are often related to the art of war: figures of the gods of antiquity, Minerva or Bellona, allegories of Victory, battle scenes, trophies or captives. Such is the case of the Musée national de la Renaissance (inv. E. Cl. 927), the Brunswick Museum (inv. Lin. 83) and the Victoria and Albert Museum (inv.2832-1855, fig.d).
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